I was warned of the unpredictable nature that work for your final graduate collection can take. It assumes a life of its own, consuming your ideas; running in abstract paths. How might you ask do I get from wool so carefully collected, scoured and prepared to a final collection working only with linen! The theme, marks of identity within the landscape, evolved to explore the properties of an unforgiving material, in extraordinary ways.
The desire to create garments that were sustainable, offering an alternative to fast fashion, led me to challenge perspectives in more ways than just visual interpretations of the marks that were in the landscape, into surface pattern or structural weaving. Thinking of materials – What if linen could stretch? Would that start to make you re evaluate its properties. its function in your wardrobe? What if you could grow, compost then regrow your clothes?
Being a horticulturalist, it is inevitable the growing process would feature heavily in my textile career. With that in mind, to define my core aesthetics, as a designer, has become part of the process too. Natural dyeing, intrinsic to the process, developed questions; how can I push this element to become an example of contemporary sustainable fashion, where celebrating the ‘bespoke’ one off shades, the fading and reinventing of the shades over time truly characterised a ‘living’ textile. Where natural dyeing became so much more than a hobby craft, but part of our wardrobes. There is a stigma attached to working with natural dyes that potentially could undermine the professional status of a garment. What does natural dyed cloth conjure up for you?
‘Shifting Perspectives’, the new title for the collection explores these questions. Challenging identity from all angles; professional, personal, materials, methods, processes, fashion and by theme. I am hoping visitors to the exhibition will each take away a unique perspective of the work, that challenges the way they think about an element individual to them.